Tuesday, October 29, 2013

Online Reflection 8

Urf's principle that translated into islamic architecture can also be seen in india and Malaysia. Both has responded to the local context and present themselves in a very unique way.

ISLAMIC ARCHITECTURE IN INDIA

The medieval period has shown huge developments in the field of architecture. With the coming of Muslims to India, a lot of new features came to be introduced in buildings. The expansion of Muslim Style of Architecture of this period can be called the Indo-Islamic Architecture or the Indian Architecture influenced by Islamic Art. The Indo-Islamic style was neither strictly Islamic nor strictly Hindu. The architecture of the medieval period can be separated into two major categories. They are the Delhi or the Imperial Style and the Mughal Architecture. The Imperial Style developed under the patronage of the Sultans of Delhi. The Mughal Architecture was a combination of the Islamic Architecture of Central Asia and the Hindu Architecture of India.

Tomb of Ghiyas-ud-Din that shows the imperial style of architecture. Image source from http://imgc.allpostersimages.com/images/P-473-488-90/21/2177/R9UCD00Z/posters/john-henry-claude-wilson-tomb-of-ghiyasuddin-tughlaq-ghiyas-ud-din-tughluq-delhi-india.jpg
The Indo-Islamic style provided massiveness, spaciousness and breadth to the Hindu architecture. In almost all the well-known buildings, the arch, Minar and dome began to be applied and the mosque or Masjid turned into a part of the landscape. The chief means of adornment was surface decoration through the application of geometry, arabesque and calligraphy. The Muslims borrowed the design of kalash on the top of the Hindu temple by placing a dome on the top of their buildings.

Kalash, the prominent Vedic symbol that symbolizes respectively the manifestations of Gayatri and Yagya. Image source from http://www.vijnana.org/2008/12/kalash.html
Kalash has applied into design, image source from http://www.ignca.nic.in/coilnet/images/ag03/big/bpavlion.jpg
The most significant symbol of Indo-Islamic architecture in India is the tomb or the mausoleum, which evolved from the basic cube and hemisphere of the early phase into a more detailed structure during the Mughal period. In the Mughal period several chambers were made and tombs were set in gardens, known as the Char-Bagh. The tomb chamber houses the cenotaph below, which is the grave. The most well known example of tomb in India is Taj Mahal.

Char-Bagh of Taj Mahal, image source from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1G_BUWo1_ATv6fnJ9HfdDLv5nqGnF0v4mzQ3mykLoNbv6HbXdY9CVp7g2BzPqHPu8w12oMUfIgSJhuaDhltI-8vOOJztbpl052y1tvCQPeKQ5kDtkBKtrsS7U35KoGFYgCkbJ5_Tvi1w/s400/taj+mahal+garden.jpg
The Mughal Architecture occupies a substantial place in the history of Indian Architecture. The Mughal architecture developed with the efforts of Akbar. Akbar cleverly integrated foreign influences into indigenous style. Some of the basic features of the Mughal Architecture are the round domes, high minarets, mehrabs, pillars, open courtyards etc. A notable feature of the Mughal architecture was the application of red sandstone. It is interesting to note that red sandstone was used for construction of huge buildings and forts. However red sandstone was replaced with white marbles replaced it during the later period when the stress was more on enhancing of the buildings with the use of colored designs, precious and semi-precious stones, gold and silver waters and minute carvings.

Humayun tomb, one kind of Mughal architecture. Image source from http://upload.wikimedia.org/wikipedia/commons/e/e9/Humayun_tomb_-_a_red_stone_mughal_architecture.JPG
The outstanding examples of Indo-Islamic architecture are the Qutub Minar, Alai Darwaza, Quwwat-ul-Islam mosque, Tughlaqabad Fort, Fatehpur Sikri, Agra Fort, Taj Mahal, Red Fort Delhi etc.

All of them indeed had responded to the local context by integrating the indian culture and beliefs into architectural design.

Source from:
http://www.culturalindia.net/indian-architecture/indo-islamic.html

Extra information please check out:
http://www.ne.jp/asahi/arc/ind/1_primer/indoislam/indis_eng.htm

ISLAMIC ARCHITECTURE IN MALAYSIA

The architectural styles of Malaysia's mosque can be classified into three types, which are vernacular mosque, colonial mosque and modern mosque.

Scale and elements of mosque

In terms of scale and proportion, the size of the vernacular mosques is usually much smaller compared to the colonial and modern mosques. The smaller-sized vernacular mosques may be related with a smaller population threshold targeted for such mosques. Due to their relatively superior sizes, the colonial and modern mosques are classified as the District, State, Royal or National mosques by the mosque authority.
As far as the elements of the mosques are concerned, the colonial mosques feature a richer vocabulary in architecture compared with the vernacular and modern mosques. Most colonial mosques have distinctive architectural features such as onion-shaped or top-shaped domes, turrets, classical columns, pilasters, pointed arches, keystones, pediments and plastered renderings on cornices and capitals.
Masjid Kampung Kling as vernacular mosque, image source from http://www.airasia.com/travel3sixty/wp-content/uploads/2013/07/HE003553.jpg
Building materials
Timber is utilized excessively in the construction of the vernacular mosques. Attap and clay tiles are extensively used for roofing. However, as the require for building bigger mosques raised during and after the British colonial period, other building materials including concrete, brick and steel were used to replace timber. With the advancement of construction technologies, modern mosques have been constructed with reinforced concrete and steel structures.
Wood carvings and plastered renderings

Most of the vernacular mosques posse very well woodcarvings of flower motifs, particularly on wall panels, fanlights, windows and mimbar. On the other hand, plastered renderings are generally found in the colonial mosques, especially on cornices, column capitals, pilasters, and arches as well as around windows and doors. Interestingly, some of the modern mosques have integrated both the woodcarvings and plastered renderings especially on the interior walls.
Malay woodcarvings apply in Malaysia mosque's ornamentation, image source from http://universes-in-universe.org/var/storage/images/media/images/islam/2004/noor/img_04/52680-1-eng-GB/img_04.jpg
Malaysia's mosques had made themselves unique from the others as they had responded to the local climate and produced a different kind of architectural design. For example like Masjid Wilayah Persekutuan that utilizes the principle of Urf.

Image source from http://4.bp.blogspot.com/-xkyWiRWIEcs/UqBrkCWpwYI/AAAAAAAAAos/BaLg4PseyY4/s1600/6-page-001.jpg

And also Masjid Jamek's hypostyle hall that has a lot of openings, which promotes cross-ventilation that suitable for the hot and humid climate of the country.
Image source from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnZ8iqn2z7kB8Izl8Wkgb2F4qoRQypvEzVBzK2eIRh8yqcgoK-vI_irXAZPmCJeX6ZU_Owy9FehmrarZVdBf4JW8ZKzknDOsEj99VObfDskSFWtZRhmEvq0r1o6ZY3qSNDn5i-pPKlEkhf/s1344/Slide7.JPG
Source from http://www.hbp.usm.my/conservation/SeminarPaper/PAPERRIYADH.html

Saturday, October 19, 2013

Online Reflection 7


LECTURE 5

This lecture taught me the principle of 'Urf. The architecture as ‘Urf refers to the custom or knowledge of practices in a particular society. It is a principle that respond to the local context that adopt into the islamic architecture design. ‘Urf is the diversifying principle that makes one building unique among each other.

The plan shows the society of Hausa that coverts the public zone of a house into mosque, image source from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnZ8iqn2z7kB8Izl8Wkgb2F4qoRQypvEzVBzK2eIRh8yqcgoK-vI_irXAZPmCJeX6ZU_Owy9FehmrarZVdBf4JW8ZKzknDOsEj99VObfDskSFWtZRhmEvq0r1o6ZY3qSNDn5i-pPKlEkhf/s1344/Slide7.JPG
The typical types of mosque are shaped up with large spaces together with dome structure that can be seen around the world. However, by having certain specific architecture language in a country, the mosque could turn up totally diverse but still retain the function as a mosque with 7 principle of islamic architecture.

Mosque in England that looks like office building due to local weather and it is enclosed, which is exactly different from the typical mosques that used to have a lot of openings and open spaces. Image dource from http://www.beautifulmosque.com/wp-content/uploads/2013/07/faizan-e-madina-mosque-in-peterborough-england.jpg
By integrating the principle of 'Urf into building design means that the building has adopted and utilized the unique architectural features derived from the locality to:

i) Provide comfort for users
ii) Encourage the community to enthusiastically accept a building with new function.

However, it is important whereby all these shall not conflict with the Sharia law of Islam.


ISLAMIC ARCHITECTURE IN CHINA


It is said that four of Prophet Mohammad’s followers were sent off to China along the marine Silk Road during China’s Tang Dynasty. One arrived in Guangzhou, one arrived in Yangzhou and two arrived in Quanzhou. Sa'ad ibn abi Waqqaas, a maternal uncle of the Holy Prophet Mohammad even traveled from Guangzhou to the Chinese capital city of Chang’an (present-day Xi’an) where he met Tang Dynasty Chinese emperor Gaozong who officially approved the practice of Islam in China. The Huaisheng Mosque (Mosque in Memory of the Holy Prophet) was the very first mosque built after Waqqas went back to Guangzhou. Huaisheng Mosque resembles some of the early Middle East architectural features of mosques.
Huaisheng Mosque, image source from http://www.islamichinatravel.com//images/stories/mosques/huaisheng%20masjid.jpg
Islamic architecture in China can be divided into the following categories: mosque architecture, architecture of Muslim sage’s tomb construction and madrasa architecture.
Before the introduction of Islam into China in 652AD, Chinese generally believed in Buddhism and Taoism. As a matter of fact, when the emperor Waqqas met in Chang’an believed in Taoism. In order to convert more Chinese to believe in Islam, mosques were constructed according to the layout of Chinese Buddhist temples or Confucius Temple with main buildings constructed on central axis, less important buildings were constructed on the sides; a mosque was normally formed by at least two or four courtyards. The best example of this style is Xian’s Great Mosque (built in 742). Since Kabba is to the west of China, unlike all the Buddhist and Confucius temples where central axis are south to north direction, the central axis of Chinese mosques were built east to west.
Xian's Great Mosque that responds to local context, image source from http://upload.wikimedia.org/wikipedia/commons/2/22/1_great_mosque_xian_2011.JPG
It was built assimilate to chinese temple in order to fit into local context. Image source from http://www.chinatourguide.com/china_photos/Xian/Attractions/hrc_xian_great_mosque_tower.jpg
Due to the geographical location of being much closer to the Middle East, Xinjiang which shares borders with Pakistan, Kazakhstan, Kyrgyzstan,Tajikistan, Afghanistan, Pakistan and India. Xinjiang mosques were profoundly influenced by traditional Middle East architectural styles. However, local Uyghur architectural styles can also be found at some of the mosques in Xinjiang such as Emin Minaret in Turpan.

Turpan Emin Minaret Mosque, image source from http://www.islamichinatravel.com//images/stories/mosques/emin%20minaret.jpg
Mosque in Beijing, image source from http://english.cri.cn/mmsource/images/2008/11/24/4689niujie400.jpg
Sources from:
1) http://islamicarchitectureissoamazing.blogspot.com/2013/12/architecture-of-urf.html
2) http://www.islamichina.com/islamic-architecture.html

Extra information please check out:
1) http://islamic-arts.org/2012/great-mosque-of-xian/
2) http://www.travelchinaguide.com/intro/architecture/styles/chinese-islam-temples.htm

Saturday, October 12, 2013

Online Reflection 6

PROJECT 1 

This is a research project that adopts document analysis methods and procedures that includes documenting, analyzing, producing, and presenting orally a critical chronological interpretation of islamic architectural history as it advances over prominent Islamic periods. Throughout the entire project, our group has selected spain timeline to carry out our analysis regarding the seven principles of Islamic architecture in order to understand more on its influences of Islamic cultural and belief to architectural design and construction.

My chosen building is named Alcazar of Seville and the outcome is as below:

INDIVIDUAL WORK

GROUP WORK
Throughout this assignment, I've learnt the seven principles in detail: - 
1) Architecture as Tawhid: Unity & Uniquity of Allah
2) Architecture of Ihtiram: Respect
3) Architecture with Ikhlas: Sincerity
4) Architecture as Pursuit of 'Ilm: Knowledge
5) Architecture for Iqtisad: Balance
6) Architecture of Haya': Modesty
7) Architecture as Dikr: Remembrance

This assignment taught me the methods of how Islamic principles are translated into architectural way. Every single principles utilizes different architectural styles, for example like interpretation on the repetition of columns, the application of reflective pool, islamic inscription and etc. These indeed gave me a strong spiritual sense whereby the design of the buildings are all came with a very strong conceptual principle behind.

Wednesday, October 9, 2013

Online Reflection 5


LECTURE 4

Through this lecture, it taught me about:
1) Architecture for Iqtisad: Balance
2) Architecture of Haya': Modesty
3) Architecture as Dikr: Remembrance

ARCHITECTURE FOR IQTISAD: BALANCE

"And turn not thy cheek away from people in [false] pride, and walk not haughtily on earth; for behold, God does not love anyone who, out of self-conceit, acts in a boastful manner." Al-Qur'an 31:18

The essence of islamic architecture is the achievement of delicate balance between functional and spiritual elements in order to achieve harmony through the point of intersection as it is the most beneficial in providing stability of the soul. 

"The best way is the middle way...do good deeds properly, sincerely and moderately...and always adopt a middle, moderate regularly course whereby you will reach your target (paradise)," said Prophet Muhammad.

To express Iqtisad in islamic architecture, design elements are as below:

i) Moderation and balance. It is an essential consideration whereby it posses nature of aesthetic and a profound impact on architecture.

Djenne that shows geometrical proportion in design, image source from http://globalpridetravel.com/wp-content/uploads/2013/02/djenne-mali-africa.jpg
ii) Notion of "heart". It is translated architecturally by designing the external facades of the islamic buildings as if human body is the container of the sacred nafs (soul) with the heart as the central core, it has the underlying symbolic metaphor for islamic home:
"Assuredly God does not consider your bodies, nor your appearances. Rather He considers your hearts."

Through these, I've analyzed and concluded that islamic's plan will always show a centralized circulation or by constructing a central dome and etc. to represent this principle, making the spaces to be centralize as if it is the hierarchy of all spaces.

Islamic architecture features the focal point in design, image source from http://catnaps.org/islamic/islamgraphics/pattern02.jpg
iii) Islamic composition for aesthetics:
a) Ta'lif (composition): It defines spatial sequence (propotion), texture, material and light.
b) I'tidal (harmony): It transform spaces into quantitative and qualitative as well as portraying the unique nature harmonious ratio of Phi: (1:1.618), the Golden Ration that truly exist in natural phenomenon that reflecting ties to language of creator.
c) Nizam (order): The aim to achieve and to show the means of approach of God through His creation.

Taj Mahal shows the expression of love from Mughal emperor Shah Jahan to his wife. This has also shown a strong principle in balance and its order of proportion, image source from http://www.palacetours.com/uploads/tours/tour44/rsz_63cd7d0d217a4f389aa2220ae4eb34b8.jpg

ARCHITECTURE OF HAYA': MODESTY

"...Tell the believing men to lower their gaze and be modest...And tell the believing women to lower their gaze and be modest..." Al-Qur'an 24:30-31

Modesty is defined as the quality or state of being unassuming or moderate in the estimation of one's abilities. To define this principle architecturally, it is translated into:

i) Preservation of dignity:
a) Islamic architecture usually has a central core like open court that not only serves as an environmental purpose but also addresses the different roles and responsibilities of the sexes.
b) The building will provide sanctuary, privacy and respect whereby it will be at heart of the layout and divisions within islamic architecture.
c) The design needs to retain the values of Muslims of their everyday existence, sacred actions and family lives.

Mashrabiyya are screen that made for Muslims women to gain privacy, respect and etc. Image source from http://www.garycook.co.uk/Africa/Egypt/Photo66554.jpg
Mashrabiyya acts as aesthetic feature as well as environmental feature that provides climatic control. Image source from http://blogs.bootsnall.com/The-Turbos/files/2007/02/gayer%20anderson%20mashrabiyya.JPG?file=2007/02/gayer%20anderson%20mashrabiyya.JPG
ii) Modest to others, themselves and to Allah:
a) Tawado (humility)
b) Ih'tesham (decency)
c) Istehyah (awareness)

Bent entrance is one of the significant feature that provides privacy for the building and filters the admission into heart of the sacred space. It discreet approaches as well as showing respect by greeting users with magnificent size of central public spaces of courtyard before entering to the main space. Image source from lecture note.

ARCHITECTURE AS DIKR: REMEMBRANCE

"Those who believe, and whose hearts find their rest in the remembrance of God - for verily, in the remembrance of God [men's] hearts do find their rest." Al-Qur'an 13:28

This principle illustrates the architecture of monotony whereby it is translated as building pillar upon pillar, arcade upon arcade and etc. in order to show the rhythmic precision that mirror in the contemplative chanting of God's innumerable attributes. The manifestation of contemplation will maintain a sense of unity as rhythm has been seen as the eternal and infinite nature of God's essence to remember Him as the creator. Repetition is encouraged in this principle in order to repeat the reminder of God.

The repetition of vaults and patterns represent the principle of remembrance, image source from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDc2KN5GRT5X7w_FLv77qllRpHtAnooDic3zCkWL-wT-puZjmpY8H2KytjeewS8dr3wSMe-1jreClRcJX6B_cKAZWEKt6gjcXE_kBThNRj-BE2gH8cihvdHc4fmy422cvQxv2kMoMnVL8/s1600/Screen+Shot+2012-03-16+at+4.26.45+AM.png
The repetition of columns remind Muslims the existence of God. Image source from http://media-cache-ec0.pinimg.com/236x/25/19/45/25194569d548fce96fe90ad35b4324d2.jpg

THE ARCHITECTURE OF THE UMAYYAD OF SPAIN

The most significant building in Islamic Spain and other centers of Muslim civilization is the mosque (called in Arabic masjid), a house of worship. They are almost totally empty inside, without seats or altars. The empty space is a surface for adornment and expression of form.

The Great Mosque of Cordoba, image source from http://classes.colgate.edu/osafi/images/great%20mosque%20of%20cordoba%20
aerial%20view%20with%20cathedral%20in%20middle.jpg
The Great Mosque of Córdoba was designed under Abdurrahman I. It began construction in 787 CE, and then expanded under later rulers. The building was innovative. The double horseshoe-shaped arches added height and drama to the prayer space, especially with their red-and-white striped adornment on top of simple columns.

Using color in architecture was a design element that traveled widely under Andalusian influence. In 961 CE, a special section of the mosque added “poly-lobed” arches with carved decoration, meaning that the arch was scalloped. The ribbed dome of the mosque gave it strength, but also created a star pattern that highlights the mosaic designs in the center and between the ribs. The architectural features in the Córdoba mosque spread to other forms of architecture and became visual symbols of Al-Andalus. The ribbed vault design became a familiar feature in gothic cathedrals of northern Europe.

The horseshoe-shaped arches, image source from http://alphavilleherald.com/images/various/mosque12.jpg
Also in Spain and Morocco, brick towers with a square footprint graced the rectangular mosque layout. The minaret rose to a great height and featured geometric patterns in brick, and symmetrical openings near the slender top.

Palaces for Andalusian rulers were legendary for their influence in the West for centuries to come. Madinat al-Zahra was the first palace to be built in Al-Andalus. Built during the rule of Abdurrahman III (961-976 CE), it was a complex of buildings on terraces, and composed of indoor and outdoor spaces intermingled with gardens, pools, fountains, and surrounded by walls. Its walls and pillars were adorned with carving and tilework, and it was filled with fine furniture and decorative pieces made by the best craftsmen. It was a wonder to those who visited it and carried away stories of its grandeur. Madinat al-Zahra was destroyed in 1010 CE during a civil war, and it still remains for archaeologists to learn from its ruins.

Madinat al-Zahra, image source from http://www.library.yale.edu/judaica/site/conferences/maimonides/spain/madinat.jpg
The second most prominent palace was constructed by the Nasrid rulers of Granada during the 13th century or earlier. It shows the influence of the North African dynasties that ruled in Spain, and brought important ideas in architecture with them. One of these ideas is the decorative muqarnas, plaster stalactites that break up the solidity of domes and arches, placed in geometric patterns and surrounded by carved plaster, calligraphy and tilework. The Alhambra is also a complex of indoor and outdoor spaces that flow into one another, with pools and gardens.

Alhambra Palace, image source from http://www.spain-holiday.com/blog/wp-content/uploads/2010/08/alhambra.jpg
There are many other architectural monuments in Spain that show the skill and artistic splendor of Andalusian architecture. Cities such as Toledo, Valencia, Almeria, Seville, and others have mosques, bridges, public works, and homes in the Andalusian style. This style also traveled to the New World with the Spanish and Portuguese colonies, and spread to the southwestern United States.

Further information please refers to my project 2 assignments as it will explain the whole timeline of Spain Islamic Architecture.

Source from:
http://www.islamicspain.tv/Arts-and-Science/The-Culture-of-Al-Andalus/Architecture.htm

For extra information please check out:
http://journal.utarts.com/articles.php?id=14&type=paper